Charli XCX was one of the first pop musicians to make an album entirely in quarantine. By Jon Pareles, Jon Caramanica and Lindsay Zoladz. Limiting? Diamond. It’s not uncommon for music superstars, after decades atop their scenes, to try to demonstrate fluency in the music of prior generations to bolster their claims to contemporary authority. 4. Artists. And when she sings about lost love, she now admits that she shares both blame and regrets. “Use me like an oar, and get yourself to shore,” Julian Casablancas moans — a cautionary tale destined to be ignored by some kid in a $2,000 leather jacket. Drew Anthony Smith for The New York Times. 4:37 PREVIEW Blue Christmas. Ariana Grande, “Positions”No large gatherings here: Grande sings almost exclusively about a quar-pod of two on this tender yet raunchy meditation on the only safe contact sport left in the age of COVID. V/A releases. Game person. What if the guy who wrote great, smart party songs also excelled at devastating heartbreak anthems? On his fourth solo record, which addresses the 2018 death of his close friend Mac Miller, Thundercat keeps finding ways to personalize a trippy philosophy of healing. That it’s also his career capstone is enraging. Video games. Megan Thee Stallion’s official debut album is packed with personality. The music touches down in slow-motion R&B, but moves toward abstractions — orchestral, jazzy, electronic — as Sumney ponders solitude and connection, masculinity and identity, self-doubt and self-realization, existence and transcendence. What’s clear from this nonstop barrage of hooks and boasts and punchlines is that the 25-year-old rapper knows the world’s eyes are finally on her. Bei der Aufstellung handelt es sich um die Liste des US-Muttermagazines. What if the soft-focus blur preferred by the rest of the town didn’t make an album like this such a shock? Her fifth album is loose and uproarious, veering from reverent art-pop to tone poetry to cabaret to scream therapy. 5:20 PREVIEW Don't Save It All for Christmas Day. ), “Someday, I’m gonna look up from my phone and see my life,” Phoebe Bridgers vows wryly on “Garden Song.” A few tracks later, she tries it out and remains unimpressed: “I want to believe, instead I look to the sky and feel nothing.” But oh, the miracles she’s able to mine from the vast space between those two extremes: a memory of sneaking behind a truck’s wheel as a child; a heartfelt hallucination of a conversation with her musical hero Elliott Smith; a final, fearless stare into the face of the apocalypse. Label. Boards. Phalanxes of synthesizers, programmed beats and sturdy pop melodies fortify Sufjan Stevens and his gentle voice as he contemplates America in turmoil. Intensely personal work swelled into large-scale statements this year, and women often led the way, revealing scars left by different kinds of emotional and political skirmishes, and reinforcing that their voices must be heard. Yet for all its experimentation with point of view, “Folklore” — recorded remotely in quarantine with fresh collaborators including Bon Iver and the National’s Aaron Dessner — retains the intimate air of introspection, a songwriter’s trick as enchanting as Swift’s newly complicated melodies. The agitators. And it’s a welcome and frankly astonishing bonus that Jay-Z is riding shotgun on most of these songs, invigorating his 1990s flows with 2020 perspective. The ever cryptic, ever exploratory electronic duo Autechre greeted 2020 with something approaching moderation and introspection, releasing a single CD (as opposed to the marathon “NTS Sessions” from 2018) with 11 tracks that usually accept the regularity of a beat. User. Wait until you hear about his 2021. The music mavens at the venerable Time magazine have compiled their list of the “ALL-TIME 100″ albums — unranked and broken down by decade. Yet moment to moment in Autechre’s algorithmic realm, anything can happen. Speaking to TV host Jimmy Kimmel, pop star Taylor Swift debunked a fan theory that she's planning to release another album, 'Woodvale,' so soon. Ursprünglich nahm Prince ein Dreifachalbum mit 22 Songs namens Crystal Ball auf, musste dieses aber auf Wunsch von Warner Bros. Records auf ein Doppelalbum mit 16 Songs reduzieren und benannte es in Sign \"\" the Times um. And less than two weeks after “SIGN” appeared, Autechre suddenly released another hour of music on the more aggressively disorienting “PLUS.” (Read the interview.). Victory is not assured. Adele--Two Weeks Ago--Last Week. ADVERTISEMENT. Common charts. Entdecken Sie Veröffentlichungen von The Times auf Discogs. ), Pop Smoke, who was killed in February, was moving away from drill music toward a sound that was melodic but still gruff, long the winning formula for New York rappers with big dreams. What follows, on “Folklore,” is a lyrical exploration of that culturally denigrated commodity that is young-girl wisdom, this time viewed through the artful distance of Swift’s adulthood. (Read the round table; hear the Popcast. (Read the review; hear the Popcast.). Label. The puffed chests. So unsparing is his inquiry, though, that Rosenstock’s occasional flashes of tenderness feel refreshingly (if obscenely) hopeful. Taylor Swift, “Folklore”Pop’s most closely scrutinized diarist used a season of isolation to dream beyond herself. What if the most innovative mainstream Nashville performer was also the most reverent of tradition? Review. Dua Lipa and the Blessed Madonna, “Club Future Nostalgia”, The 10 best albums: Taylor Swift, Fiona Apple, more. Lili Trifilio’s voice unifies Beach Bunny’s songs. ), A triumph of willfulness, “Fetch the Bolt Cutters” is Fiona Apple proclaiming she “won’t shut up” amid a percussive clatter she created at her home: banging on pots and pans, pushing her voice to extremes, letting her dog bark. 2. But the sturdiness of Powfu’s singing and rapping (and sing-rapping) telegraphs the depths of his perseverance and resilience. “What if I told you I feel like I know you, but we never met?” she wonders on the flickering title track. ), On “Folklore,” Taylor Swift puts away childish things like pure pop clarity and scoring easy points. 0. Katie Crutchfield, who records as Waxahatchee, released an album featuring some of her most evocative lyrics. 2. Kaufen Sie Platten, CDs und mehr von The Times auf dem Discogs-Marktplatz. She remakes Charles Mingus, the earthiest jazz avant-gardist, on a few tracks, nodding toward an inspiration. All releases. The Times discography and songs: Music profile for The Times, formed 1980. (Read the review. März 1987 bei dem Label Warner Bros. Records / Paisley Park Records. ), The alien-abduction skits are redundant: From the opening notes of the bouncing “Baby Pluto” we’ve been transported directly to Uzi’s universe. The album entitled “Music of Kish Island” is the 77th collection of the regional music of Iran that has been released by the Mahoor Institute of Culture and Arts. Top ten lists for 2020: The year’s best movies, TV, music and more. (Their real name, appropriately enough: Sean Bowie.) Fiona Apple, “Fetch the Bolt Cutters”It takes a master of texture to make a record that sounds like it’s falling apart — and a person of extreme emotional fortitude to make one that digs up so much trauma. If the sticky-icky hooks of the 2017 album “Luv Is Rage 2” established Lil Uzi Vert as a melodically savvy hip-hop crooner, the long-gestating “Eternal Atake” is a sharp assertion of his skills as a rapper — combining the influences of his forebears Chief Keef and Future (both of whom he also collaborated with this year) into a unique style that could be mistaken for no one else. The grizzled vets. Ware revels in the textures of the producer James Ferraro’s showroom of vintage synths, conjuring the no-wave cool of ESG as deftly as the glimmer of Minneapolis funk. Custom chart: top albums of all-time. He tries to summon a moral compass and enough faith to overcome wholesale confusion, lies and fear. Video games. Like a distant planet unhurried in its orbit, Fiona Apple returns every seven or eight years to present whatever wisdom she’s gleaned from another trip around the sun. (Read the feature.). Townsquare Media / Flickr #50. Albums include Children of Nuggets: Original Artyfacts From the Second Psychedelic Era, 1976-1996, This Is London, and Pop Goes Art!. Five women take the top 3 spots, with Taylor Swift’s quarantine album leading our year’s best. The revolution is being streamed: Rappers DaBaby and Lil Baby make protest music for the masses, Music’s winners (Lil Baby) and losers (John Lennon) for this Godforsaken 2020, so far. But the unifier is Trifilio’s voice: sweetly pleading, sweetly exasperated, sweetly resigned, sweetly vengeful. (Read the review. On their previous albums, Este, Danielle and Alana Haim could sometimes feel hemmed in by their pristine, showy chops. The grinning-all-the-while anxiety makers. The Times is one of those times where Neil Young treats his music as a news bulletin: it's an EP designed to address the confusion and chaos of 2020, perhaps offering a little nudge to audiences to go out and vote. Here are the 10 that stood out, along with 10 runners-up from a year with more listening time than most. (Read the round table; hear the Popcast. The anarcho-futurist comfort takers. Site. “The Bigger Picture” elevated Lil Baby from streaming champ to voice for a generation. Clockwise from center: BET, via Associated Press; Chad Batka for The New York Times; Evans Richardson; Amy Harris/Invision, via Associated Press, Sufjan Stevens addresses a convergence of crises on “The Ascension.”, Chris Pizzello/Invision, via Associated Press, Moses Sumney explores loves and longing on “Grae.”, Elizabeth Weinberg for The New York Times, Bob Dylan proved he’s still able to bristle with the best of them on “Rough and Rowdy Ways.”, Burna Boy brought his politically minded Afrobeats worldwide with “Twice as Tall.”, Amy Sussman/Getty Images for Warner Music, Georgia Anne Muldrow is an impressive one-woman band on “Mama, You Can Bet!”, Sam Hunt retreated from music after his 2014 debut, and returned with “Southside.”, Rina Sawayama mines an eclectic group of genres on “Sawayama.”, Daniyel Lowden-Stoole for The New York Times, Killer Mike and El-P returned with another volley of smart, sassy, political hip-hop on “RTJ4.”. The debut album by Jay Electronica, a connoisseur favorite better known for the idea of his potential than for his actual output, has a satisfying heft to it: the raps feel as if they emanate from the Earth itself. RIAA Certification . Unlike either "Ohio" or 2006's Living with War, Neil didn't write new protest songs this time around. “I knew everything when I was young,” Swift sings. 5. Stacker did just that when we compiled data from Metacritic on the best rock albums of all time, ranked by Metascore. 9. 3. But every one of them was heard during it — context that couldn’t help but shape the way music sounded or what it seemed to say. Genre. 8. Not every album released in 2020 was made during the pandemic. 1. The songs switch off between stoic ballads and late-night roadhouse blues as he sings about history, legends, theology, art, gallows-humored paradoxes and, occasionally, his own cultural role. From homegrown jazz to furious punk to raw hip-hop recorded from prison, these 10 albums highlight L.A.'s creative spirit in a hard-scrabble year for musicians. - Best Ever Albums score: 15,415 - Best Ever Albums user rating: 80 - Rank all-time: #111 - Rank in decade: #21 - Rank in year: #5 - Year: 1994 “Definitely Maybe” was the debut album of Britpop’s Oasis, with brothers Noel and Liam Gallagher shaking up a music scene filled with grunge sounds at the time. Artists. ), The song titles on Waxahatchee’s “Saint Cloud” are stark, blunt, almost elemental: “War,” “Hell,” “Fire,” “Witches,” “Oxbow.” Katie Crutchfield is not interested in mincing words or couching ideas in superfluous metaphors — these songs are about rolling up your sleeves and getting down to the hard, direct work of personal introspection. (Read the review. 7. (Read the review.). ), Yves Tumor struts and slithers like the most famous rock star on an as-yet-undiscovered planet. (Read the review. 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